#Betty carter socialcall how to
One late night at a now-defunct New York club called Bradleys, Carter leaned over to an acquaintance in the audience and said, ''When they learn how to make love to a woman, they'll be able to play this music better.'' Carter raised generations of musicians who are now capable of thinking before they play, of dealing with the dramatic, emotional and, perhaps, sexual implications of music. Social Call is an album by Betty Carter featuring Ray Bryant and a big band arranged by Gigi Gryce. This is all hard to do, especially for young musicians who want to raise a fuss with every tune. Her tempos could be as slow as a glacier, and she could make the band play as quietly as the sound of makeup being applied. Each piece was highly arranged, and she regularly changed tempos and dynamics within a tune. She had an extraordinary group concept, a perfect training ground for the green and unprepared. Betty Carter (born Lillie Mae Jones September 26, 1998) was an American jazz singer known for her improvisational technique, scatting and other complex musical abilities that demonstrated her vocal talent and imaginative interpretation of lyrics and melodies. So she hired musicians in their late teens and 20's and whupped some art and history into them. Carter, sensing that jazz culture was on the ropes, began a campaign to reverse cultural history. Older musicians who really care about jazz culture have traditionally done this, though less than one might expect.
Jazz, for all its acceptance in academia, is still learned by example, and usually on the bandstand. She's a jazz singer.''įor the last 20 or so years, she taught young musicians how to play. If you want a jazz singer, go talk to Betty Carter. Vocalist Carmen McRae once remarked, 'there's really only. Sarah Vaughan once said: ''I'm not a jazz singer. Betty Carter (born Lillie Mae Jones, September 26, 1998) was an American jazz singer known for her improvisational technique, scatting abilities, and other complex musical abilities that demonstrated her vocal talent and imaginative interpretation of lyrics and melodies. She quickly became, in the acidity of her individuality, a taste one had to work on. In 1956 she recorded the song ''Social Call,'' and in it you hear the curved elegance of her mature style. Her breathy style and immense scatting ability is often compared to Sheila Jordan, another Detroit-based. Her first recordings, from the middle 1950's, are utterly individual. Social Call (vocal) - Jon Hendricks & Gigi Gryce Swing (medium) Betty Carter is regarded as one of the most adventurously improvisational jazz vocalists whose complex musical talent put her on par with the best of the bebop horn players. Betty Carter was born Lillie Mae Jones, in Flint, Mich., and by the time she first recorded under her own name, she had settled on being the fearless Betty Carter, having passed through a Betty Bebop stage for a moment or two, working with the vibraphonist and big-band leader Lionel Hampton.
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